![]() For this specific test clip, you’ll notice how the wedding dress certainly is not white after using Automatic White Balance, so I have to white balance manually. Like I mentioned before, this doesn’t always work for white balancing. When importing clips, just scroll through the Media Import popup and make sure Analyze for balance color is selected.Īlternatively, you can select the clip on the timeline, go to the top menu and click on Modify, select Balance Color. The issue is the balanced footage isn’t necessarily white balanced, the clip merely adjusts to maximize contrast to have the widest luma range. The Final Cut Pro X color balance feature samples the darkest and lightest areas of the luma channel, and then adjusts the shadows and highlights to neutralize color casts. If if doesn’t work, you will need to manually white balance. When it does, it’s the fastest way to white balance footage. This can be done when importing footage or after clips have been placed in the timeline. The first option is to use the Automatic Color Balance tool. ![]() Here are two different ways to white balance in FCPX.Īutomatic Color Balance in Final Cut Pro X It just requires a few editing tricks to get you there. ![]() Without using a plugin, the workaround for white balancing in Final Cut Pro X honestly requires far too many steps. That said, it can be done relatively easily. Here’s a workaround that doesn’t require any plugins. Using Color Finale® 2 or Color Finale® 2 Pro, users can then make stylistic adjustments to their Presets to better suit their content.For some reason you can’t just simply white balance footage in Final Cut Pro X with the push of a button. Adding a professional color grade doesn’t get any easier than this!Įditors / Videographers - Presets are equally valid for those Final Cut Pro users who understand the color grading process, but want a professionally color graded look (a Preset) to start with. They can then copy and paste, or simply add, the same Preset look down their entire Final Cut Pro timeline. However, with just 4 clicks vloggers can quickly adjust powerful Exposure, Contrast, and White Balance controls to set their shots up optimally, before adding their chosen Preset look. Vloggers - color correction / color grading isn’t easy, we understand this. CF Presets are fully licenced, so you know who made them and how they made them.CF Presets obey global color parameters.CF Presets obey color management settings.CF Presets exhibit no image artefacts when used on different source material.CF Presets are suitable for a wide variety of source content.The key advantages of Color Finale Presets over LUTs are: ![]() Technically Presets are macros of color correction settings, and in our case, these are created by professional film / TV colorists. Think of a Preset as an adjustable LUT that can be tuned to work with multiple source video types. If you need to go back to Color Finale® 1.x use our Online License Manager to get old activation code and dowload old installer. Upgrade to Color Finale® 2 replaces Color Finale® 1.x. We will also transfer your previously purchased Color Finale®1.x Presets to Color Finale® 2 with the new license. If your links expire simply request a new link by entering the email address again into the box here. Links are temporary for security protection and will expire after 2 hours. Color Finale® 1.x Pro to Color Finale® 2 Pro or Color Finale® 1.x Pro to Color Finale® 2 Standard. The upgrade email will contain several options for upgrading e.g. If the email address is recognised a message will be sent to that email address with the links pre-populated with user information, and the coupon code. To receive an upgrade coupon enter the email address you used to purchase Color Finale® 1.x or LUT Gallery into the box here. We offer current users of Color Finale® 1.x and LUT Gallery a discounted upgrade program to Color Finale® 2.īelow are the prices (without local taxes) for the various upgrade options:
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